Which Canon Camera Is Best For Photography – As the leader in the video camera market, Canon builds cameras for a variety of features and capabilities. Over the years, its engineers have developed incredible technological suites, from cameras with IBIS to cameras with Eye AF, ultra-high-speed shooting, 8K video capabilities and much more. Regardless of your particular skill set, you should have no problem choosing the best Canon camera for professional photography.
That said, there are a number of great choices for professionals in Canon’s lineup, and choosing the best Canon camera for professional photography really depends on what you’re shooting. Some of Canon’s best cameras are built for speed, which should be popular with sports and wildlife photographers, while the high resolution of other compact models will make great choices for photographers and studios alike.
Which Canon Camera Is Best For Photography
We’ve tested all of Canon’s professional photography cameras and understand their strengths and who they’re best suited for. Below we break them down by type to help you decide which one is best for you.
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For more on professional cameras of all brands, check out some of our other guides below. And for a deeper dive into the different types of cameras and available features, check out our camera shopping list.
Although technically its position was taken over by the Canon EOS R3, the Canon EOS R5 is Canon’s flagship mirrorless camera and is the most interesting camera released in 2020.
Its 8K video capabilities stole a lot of headlines when it was announced, but the heart of the Canon R5 is a 45Mp camera with a unique autofocus system. This Dual Pixel CMOS AF II features 5,940 selectable AF points and smooth autofocus for eye detection of people, animals and birds in video and stills.
Like the Canon EOS R6 announced at the same time, the EOS R5 features in-body 5-axis image stabilization. The R5 allows shutter speeds of up to 8 EV.
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Canon puts the R5 on roughly the same level as the Canon EOS 5D Mark IV, meaning it’s designed for use by experienced hobbyists and professional photographers alike. It combines an elegant collection of buttons and control dials with a convenient touch control system on a 3.15-inch 2.1 million-dot vari-angle display.
While 8K video has little appeal, the R5 can deliver even better with its impressive 4K HQ (Best) mode. Even so, the image quality is also very good up to ISO 25,600.
Although Canon says that the EOS R3 falls below the Canon EOS-1D X Mark III in the company’s lineup, there is no doubt that the new 24.1MP full-frame mirrorless camera will appeal to many DSLR users. It appeals to professional sports fans and news photographers and has many features to keep them entertained.
Canon took the illuminated full-frame CMOS sensor inside the Canon EOS R3 and combined it with the Digic X data processor for fast and accurate readouts. It offers excellent resolution, noise and file size control along with impressive AF performance.
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Additionally, the R3 can shoot raw or Jpeg files at up to 30 fps with full focus and AF tracking when flash is selected. It’s a great choice for sports, action, and news photography.
The R5 and R6 were Canon’s biggest hits when they launched in 2020. They added the depth of field seen on the EOS R system. However, the addition of the EOS R3 makes things even better with the ability to shoot at 30 fps, Eye Control AF, and a wide-angle touchscreen. . It’s also the first dual-camera mirrorless camera, and while Canon says it sits below the EOS-1D X Mark III, the R3 looks poised to win over several DSLR brands and convert more photographers to mirrorless technology.
Canon has shown us its vision of the future for mirrorless cameras, and while the R3 is outside most photographers’ budgets, the AI it employs will be reduced to an affordable camera.
The Canon EOS-1D X Mark III is Canon’s flagship DSLR and the most professional DSLR available today.
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Designed with professional photographers in mind, the autofocus system is excellent and the 1D X Mark III can shoot at up to 20 fps to capture the moments of your life.
Thanks to a 20.1Mp (36x24mm) full-frame CMOS sensor, which features a new low detail mode, and Digic X(8), the 1D X Mark II effectively controls noise up to ISO 51,200.
The EOS-1D X Mark III is also Canon’s most advanced lens camera outside of the Cinema EOS line. It can record 4K 12-bit video and internal video. It can also record raw images and MP4 videos simultaneously to two separate memory cards.
Also, 4K videos can be upscaled to 5.5K (5472×2886) video resolution and recorded as 12-bit CRM files, with detailed images.
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As a dual lens camera, the Canon EOS-1D X Mark III is big and heavy, but also very powerful.
Canon’s EOS 5D line of DSLR cameras is popular with advanced enthusiasts and professionals looking for something that can handle a wide range of subjects well. The latest in the series, the Mark IV, has a suite of useful features that make it perfect for the discerning photographer.
While the 5D Mark III produces 22.3 million pixels, the Mark IV has 30.4 million pixels, which is a huge leap forward.
However, the inclusion of Digic 6+ processing technology has allowed Canon to push the Mark IV’s native ISO range from 100-25600 to ISO 100-32000, and expand the range to ISO 50-102400 – the same as the 5D Mark III. In video mode, the sensitivity can be adjusted in the ISO 100-102,400 range.
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Interestingly, the Canon EOS 5D IV has two cores as part of the Digic 6+ that comes with the Digic 6. The Digic 6 processor handles the exposure while the Digic 6+ engine handles the image processing.
This enables a maximum shooting speed of 7 fps (frames per second) with continuous autofocus and metering of up to 21 files or an unlimited number of jpeg files. In viewfinder mode, the camera can shoot up to 4.3 fps.
Canon didn’t give the 5D Mark IV a higher autofocus score than the 5D Mark III, but the 61 points are spread across the line. Again, as before, there are 41 types of crossovers. However, 21 of them are cross-type down to f/8 (and not f/4).
There are also two focus points that are sensitive down to f/8 (with the 5D Mark III this is the focus type of f/2.8). This system also clocks in to -3EV, 1EV darker than the 5D Mark III system. All of this makes the Canon 5D Mark IV’s autofocus system sensitive and capable of accurately identifying subjects.
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Videographers have long enjoyed using the 5D series, and to that end, the Mark IV is capable of shooting 4K video and has a number of useful features.
It may not have industry-leading resolution, but the Canon EOS R6 is a very good camera. The autofocus system is impressive and can quickly track moving subjects with ease, while shooting at 20 frames per second. Plus, the build quality and handling are excellent, making them a joy to use.
Despite falling short of the Canon R5’s video recording class, the Canon EOS R6 is no slouch when it comes to video documentation.
It can record 4K (3840 x 2160) video at up to 59.94 fps, but it cuts less (1.07x) as only 94% of the horizontal area is taken up. This 4K video was created by upsampling from 5.1K for better quality.
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At about half the price of its sibling, the EOS R5, the EOS R6 is a great choice for professionals on an everyday and affordable budget. Buying the R6 allows one to put some of the savings from the R5 onto one of the expanding RF channels.
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This affordable and compact Canon delivers high-quality images in all lighting conditions with an ISO sensitivity range of 100–6400. Read more
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